Boobs on Your Tube: In Its Final Season, “La Brea” Finally Gives Us a Queer Couple Worth Rooting For
Also, updates on “Hazbin Hotel” and “Death and Other Details.”
Also, updates on “Hazbin Hotel” and “Death and Other Details.”
Given the opportunity to focus on Jackie — to build out her world, to deepen her connections with others — the show has always opted not to; instead, they just bring on more men.
Below Deck’s Kate Chastain is back to shake things up.
Catherine Bohart has gained at least one new follower and fan.
While I was happy for Journey to be able to date, it felt like she was denied the opportunity to have age and experience-level appropriate encounters.
“I really love writing romance. Romance and angst and tragedy.”
With talent and charm, Nymphia is the star of this episode. While others are stressing, she has time to flutter around the workroom being funny and chaotic.
In Good Trouble’s final season, Alice and Malika are both growing out of old habits and trying out new paths.
It’s very healing to see the Princess of Hell be a happy-go-lucky queer girl, living her best life with a girlfriend by her side.
The challenge for the day is an extremely theatrical, preemptive funeral march/trivia game for the yet-to-be-identified poison victim.
Not only is the season a new kind of transition story; it also recontextualizes the entire show as a new kind of transition story.
SkyMed’s second season reveals one regular as bisexual and introduces three more queer women.
On the bittersweet feeling of being Emmy-nominated for a series unavailable to stream.
Niecy Nash-Betts, Ayo Edebiri, Rupaul, Karamo Brown, and Keke Palmer make the largest cohort of Black queer talent to win at the Emmys in a single year. That alone is breathtaking. It’s never been a lack of talent. It’s always been a lack of institutions willing to see that talent for what it is, when it’s plainly in front of them.
In just the first two episodes, this show has some of the steamiest scenes I’ve seen in a hot minute.
The offensive humor of the Ted franchise is called out by a queer character in the new TV series.
It’s not just that these narratives are harmful. It’s that they’re boring.
Her sign should’ve read: “If you love drag on TV, don’t let your conservative families and shitty husbands vote against our rights.”
“The Traitors” demonstrates how groups of people define otherhood, rightly or wrongly, based in reality, assumption, fantasy, or some mix of all three.
Both Malika and Alice’s storylines this week left me feeling like “Good Trouble” had done a disservice to its characters and the story they’ve told for the past five seasons.