Mostly Dead Things is the story of what happens to a young woman when her life is torn open and reset in a different pose, and how she deals with herself — and her queerness — as a part of that confusion soup.
Moraga’s latest, “Native Country of the Heart,” is a deep meditation on memory — reflections of the past, recalling hard moments, losing ourselves, and remembering who we are as Mexican-Americans, in more ways than one. She spoke to Autostraddle about her new book and the journey her queer feminism has taken over the course of her career.
“It’s so important to tell stories about marginalized people, but if we tell stories that reduce them always and only to the ways they’re marginalized, it just perpetuates the problem.”
I talked to lesbian author T Kira Madden about her debut memoir, the challenges of writing about family and addiction, and finding a sense of belonging in queer community and in life.
Rebecca Henderson doesn’t just play gay; she’s a real-life lesbian who also happens to be married to Russian Doll co-creator/writer/director Leslye Headland.
“It’s the urgency of being a girl, in the broadest sense of that admittedly binary term, of being a marginalized person and knowing in your heart that you have the power to change your world.”
Freshly returned from Frankfurt, Germany where Rafiki won its first two international awards at the Lucas Festival and following the first commercial screenings of the film in Kenya, I caught up with Sam to talk about her unexpected fame and the controversy surrounding her debut film.
Mary Lambert talked to Autostraddle about vulnerability, the impossibility of separating the art from the artist, and her incredible new book of poems.
We chatted with Weldon about their new music video for “When You Die,” their upcoming NYC show, and the revival of their childhood acting career.
Drive Here and Devastate Me, queer femme author Megan Falley’s fourth collection of poetry, is a love letter to the queer community. We talked with Megan about her writing process, femme invisibility, body politics, and of course, love.
“I want to prove that money can be made off of women’s sexual stories. It’s not just a queer thing. It’s about women receiving pleasure, and giving pleasure. It’s still completely taboo.”
Your favorite queer Instagram dating account has changed its name to be more inclusive, is creating an app just for you, and is hosting a party in NYC to kickoff its crowdfunding efforts Wednesday night, June 13! Read our interview with creator Kelly Rakowski for all the hot details!
Kiersey Clemons talks to us about sliding into those Instagram DMs; her undying love for old school Disney channel; being an out queer black actress in Hollywood; and of course her new movie, Hearts Beat Loud!
“Honestly, I never really get cast as a lead. When they offered me the role, I was like, are you sure?”
Vida’s queer showrunner Tanya Saracho talks to Autostraddle one-on-one about the politics of building a Latinx LGBT writers room, Beyoncé, and why Vida is going to be your new spring obsession!
Vida’s out non-binary actor Ser Anzoategui gave Autostraddle an one-on-one interview about the show, the importance of queer Latinx representation in front of and behind the camera, and even sang a little Selena for the heck of it. You want this!
And she has a Carol wall.
If The Merry Spinster seems almost fixated on gender, it’s because Ortberg began participating in gender therapy and exploring identity while writing it, and “It turns out I’m trans!”
Behind every great indie film is a great woman. Or, as “The Miseducation of Cameron Post” shows, an entourage of them. Autostraddle spoke with director Desiree Akhavan about making the film that won the Sundance 2018 Grand Jury Prize for Drama and got gay teens in Montana on screen.
Talking about Kristen Stewart, gems, lesbian tropes, Girl Scout crushes, swine flu, the apocalypse and more with award-winning queer writer Carmen Maria Machado.