A bisexual playwright, Nazi Germany, and two actresses who took a stand.

It will become the 9th film directed by and about queer women to join the collection. Listen, I know this is important for Cinema reasons, but it’s important for Horny reasons, too.

The scariest part of ‘Cuckoo’ is how it wastes Hunter Schafer’s performance.

“I am so sorry I made a wish on a monkey’s paw for a trans lesbian musical to get an Oscar nomination and it resulted in us all having to suffer through Emilia Pérez.”

By the time I’d been out for two years, I’d seen more movies about cis lesbians than any of the cis lesbians I was meeting.

The best lesbian movie make outs are more than just a kiss.

This may be a sizzling hot take, but Chris Sanders’ The Wild Robot is a queer film.

To even say, Criterion’s Pride releases is a sign of our changed — and improved — times.

We’ve got Kate Moennig and Abbi Jacobson in a new Liz Feldman comedy, specials from Ilana Glazer and Fortune Feimster, and more!

I’m talking about stories where the trans character’s transness isn’t the focus — where they’re allowed to be the worst behaved one or simply hot and getting laid or just really fucking good at their job.

There are plenty of movies with characters who have scars, but very few that don’t use them for either horror or inspiration.

Trans people’s stories are being told but trans people aren’t being rewarded.

Drew Burnett Gregory writes, directs, and stars in a new horror short, and it’s available for you to stream!

The queer reveal is presented as a twist, and while I’m sure it surprised straight viewers, sleuthy queers will probably pick up on it.

Kelley O’Hara, executive producer of the new film Ripe!, wants to see more sapphic joy like her own on-screen.

“When you make the amount of money we made for Warner Bros. via the franchise it obfuscates most transphobia.”

With films like Drive-Away Dolls, Love Lies Bleeding, and Challengers, the movies are sexy again. But I’m not writing this piece to gloat — I’m writing it to get greedy.

Bruce LaBruce aims to rewrite a classic Pasolini film, but has queer sex lost its bite in this new context?

“I came out as a trans woman in Texas during the age of Trump. For me, there was no stealth coming out. I’m a big, ugly old broad and there’s no hiding it. Coming out may not have been a smart thing to do, but for me to stay alive, it was the only thing for me to do.”

Am I OK? has finally been released by Max. But a movie that felt a decade too late in 2022 has been done no favors by this delay.