Year of Our (Audre) Lorde: December’s Prologue
Like so many others, I’ve been chirping about the end of 2020, as if the transition from one year to the next will somehow magically suture our open wounds.
Like so many others, I’ve been chirping about the end of 2020, as if the transition from one year to the next will somehow magically suture our open wounds.
I’m sharing part of a scene from the book that captures the essence of why I love to write fiction: so I can write the fantasy dates with girls I adore, whether or not they happened quite that way.
Six contributors to Best Lesbian Erotica Volume 5 tell us about how they think about erotica as queer writers. The book came out on Dec 8, so can get your personal and gift copies in time for the holidays.
It has felt hard to state how much I’ve been missing my family lately. But Audre Lorde and Pat Parker’s relationship is a testament to the life-affirming power of queer kinship. Their enduring love attests to the power and beauty of Black queer sisterhood.
A look into the history — and present! — of mid-century lesbian pulp fiction.
To be Black in this world is to be intimate with a kind of living death. It’s an intimacy no one craves, and yet Black people know better than most that Audre Lorde speaks truth to power when she says “we were never meant to survive.”
The first time I encountered a book with queer characters must have been James Baldwin’s Giovanni’s Room. At the time I remember feeling afraid of its intensity. Now it’s one of my most returned-to books along with Lydia Davis’ The End of the Story.
Ultimately, Zigzags was fueled by the nostalgia of all the places I’ve loved and left and missed. There’s a lot of flirting and parties and witty banter, but it’s very much about the necessary and heartbreaking recognition of when it’s time to move on.
I am safe nowhere, the Black women in my family of origin and family of choice are safe nowhere. It’s a fact we’ve known but one that feels all the more threatening in the wake of continuing violent injustice for Black women.
Zaina Arafat’s You Exist Too Much is the bi Arab romance novel l didn’t know I needed. We chat about the book, first-gen traumas, sexual ambiguity and Arab parents.
The first draft of The Ship We Built was intended as a valentine for one person. Six and a half years later, The Ship We Built has been released as a novel with Penguin Random House and continues to be a valentine – now for anybody who picks it up.
The public library is in the unique position to pick up where public education leaves off—to succeed where public education fails. It’s time we start rethinking what a library can be.
In my own myth, New York has been the cornerstone of what shaped me, finally allowing myself to be in my queerness. While the New York I inhabited and the one of Audre Lorde’s life looked radically different, Lorde’s relationships and the women she loves and lusts for each leave her fuller than before.
I’m still angry. Breonna Taylor’s murderers still walk free. Let’s be real, they’re probably running around without masks. Audre Lorde’s sense of restlessness and barely concealed fury are evident. But so, too, is her unwavering belief in our magic.
When someone I know is dealing with a difficult situation, I typically feel extremely “Put me in, coach!!!” But when I am the one in a difficult spot? Well, then, thanks so much for offering but I’m perfectly fine to handle this on my own!!! The fact is, asking for/accepting help is incredibly difficult for a lot of us—even those of us who know, logically, that no one can get through life alone.
We are in the middle of a revolution. My Black woman’s anger is here to signal a necessary sea change. Understand that all of our freedoms are bound up in one another.
Malinda Lo’s work has been incredibly relevant and sustaining to this site and this community, and her voice on current leaps forward in lesbian cultural production remains unparalleled. Which is why we’re more excited than we can say to partner with PenguinTeen to debut the cover and a new excerpt from Malinda’s latest and most personal book, Last Night at the Telegraph Club.
Chin’s work is invaluable always, and in the current moment. We’re glad, then, to bring you this new and gripping performance of the book’s title poem, from Haymarket Books and directed by Sekiya Dorsett.
“I am going to write fire until it comes out my ears, my eyes, my noseholes — everywhere. Until it’s every breath I breathe. I’m going to go out like a fucking meteor!”
We are in a crucial moment where we can change trans representation in YA and do it in a way that doesn’t leave anyone behind.