Style Thief: Dress Like Josie and PJ From “Bottoms”
It’s your turn to look like our favorite untalented gays and Little Dutch Boys.
It’s your turn to look like our favorite untalented gays and Little Dutch Boys.
Preciado is bold in his assertion that Woolf herself might consider herself nonbinary if she had that language.
On discovering a doppelgänger in an unlikely place.
In which Kristen Arnett answers important questions, such as: Who were the biggest bottoms in Bottoms?
Bottoms Understands What Teen Lesbians Desire: Being Punched By Girls in the Face
In honor of Bottoms, here are top queer cheerleader moments from film/TV.
Bottoms is the gory gross gay comedy of my fever dreams.
We’ve got new seasons of Sex Education, Wheel of Time and The Morning Show, a Dutch rom-com centered on a life-changing threesome, a Neighbours reboot, a betrayed wife thriller and so much more!
Watchlist is a new series where I invite you to sample the hidden treasures of my personal viewing projects.
Ann Oren’s completely original debut feature Piaffe is a unique take on gender and queer siblinghood.
From Cronenberg to Titane, trans audiences have long responded to work that pushes the boundaries of human bodies in lieu of traditional trans storytelling.
“The world is a frightening, frightening place, so I don’t really understand why every film isn’t a horror film.”
Some movies are so powerful, you don’t even have to see them. It’s enough to steal a furtive glance at two older girls with pierced tongues on a DVD cover at your local Blockbuster.
As Hot Strike Summer rapidly turns into Hot Strike Fall — I’ve become deeply interested in the trend where the forefront of labor movements are vocally and visibly, well, gay as hell.
It’s noteworthy that Bad Things features two relationships with trans people, including a relationship between a cis woman and a trans woman. More noteworthy is how authentic their various experiences feel.
This task has sent me down a strange spiral of doubling and fractured memory underscored by a homoerotic hum MUCH LIKE THE MOVIE ITSELF.
Transitioning to a man in a predominately white world makes me resentful. Genders are floating worlds, and I am doing gender somewhere I do not belong.
Prime Video’s adaptation of Casey McQuiston’s beloved book is a sweet and sexy delight.
Allan’s discomfort creates an identification point for viewers who are also uncomfortable identifying with either the Barbies or the Kens, a third option in an otherwise binary Barbieland.
There’s a specific kind of trans masc quality to the way that Ken dresses and takes up space if I’m being honest. That’s the siren call, the Kenergy,