Twenty-Five Years Later, Michelle Tea’s ‘Valencia’ Remains Stunning Portrait of Lesbian Life
Valencia permitted me to romanticize my world.
Valencia permitted me to romanticize my world.
When I transitioned and changed my name, I went through all of my accounts and switched them to my new name. Banks and airlines were shockingly no problem. TSA precheck and Social Security just required another in-person meeting. It was the most random places that made it hard.
The night has cooled; the air smells like saltwater, briny as our drinks.
The most jarring parts of my breakups have been the number of people who I will never see again.
The deadline for my compliance with the “blackmail” had already passed. It was supposed to be noon.
Lately, I’ve been obsessing over the concept of queer generational trauma: the pain passed down to us from our ancestors, which we bequeath in turn to those who come after us.
After three years spent cultivating this yard with care, I’m about to leave it to whoever comes next.
She was a season. A fever dream. A glitter bomb of an experience. And I’m grateful. I am. But also: I’m not accepting that friend request.
Next summer will be hotter. The next, hotter still.
What would be the shape of our lives if we prioritised each other?
You’ve fucked every lesbian sorority girl in Oklahoma, someone tells me on an app. Well, I said. Probably not all of them, right?
There’s a long and powerful queer lineage of artists whose bodies were politicized, pathologized, and misunderstood and who still chose to create from that place.
The loss of Andrea Gibson is not just one that rocks the poetry world, but the world at large.
Moving in with a partner is one thing; moving cross-country with that partner is another.
In Orlando, there are no official dyke bars, but that hasn’t stopped the local lesbians from providing year-round nightlife and social options throughout the city.
I understand why people are often outraged at the idea of “choosing” your sexuality.
My surgeon informed me that I’d have to spend the rest of Pride Month with my hair pulled back, ointment gooped on, and absolutely no hotness allowed.
Did it keep me from texting my ex at 8 p.m.? Surprisingly, yes.
It took me over two decades to readily consider myself a victim of abuse.
Beneath the latex and leather is sacred work.