Every story can be told, if it’s told right.

The subtext is so discernible we have a hard time believing it’s unintentional.

It’s season two, b*tches, get ready to get dark. We’re back. Real dark.

Part of the problem is the film’s casting. While Sydney Sweeney gives a perfectly fine performance, this feels like a role that would’ve been well-served by casting someone known to present more masculine.

Audiences have long read queerness onto Eve due to her obsession with Margo and a brief moment when she’s seen walking upstairs with her “roommate.” She fits into the trope of the conniving lesbian — a vampire feasting on Margo’s life instead of her blood.

David Lynch’s 2001 masterpiece has a thematic core that has been largely ignored.

“My favorite moment in the movie happens during the climax when one of the skinheads punches Judy. She punches him back. He calls her a dyke. And she says thank you.”

Third epsiode of “Julie & Brandy in Your Box Office” is one week early! Julie Goldman & Brandy Howard go see “Shutter Island,” do an amazing reenactment, and find Rachel Solando who disappeared through the walls.