We Need More Movies Like ‘Jupiter Ascending’
On its 10th anniversary, the Wachowskis’ sci-fi cult favorite Jupiter Ascending shows a way forward for Hollywood.
On its 10th anniversary, the Wachowskis’ sci-fi cult favorite Jupiter Ascending shows a way forward for Hollywood.
That’s a wrap on the 2025 Sundance Film Festival! Read about everything Drew Burnett Gregory saw, including the best of LGBTQ+ cinema and beyond.
The best compliment I can give GEN_ is that it’s kind of boring.
The ‘Trinkets’ and ‘Prime Target’ actor discusses their directorial debut where they play a Muay Thai fighter facing off against their childhood best friend.
As a mother and a career-driven individual who holds power in various aspects of my own life, I immediately related to Babygirl’s Romy.
Lynch’s films ask us to take the people, concepts, and circumstances that terrify us the most and turn them on their head.
Personally, I like my sexploitation a bit more art house than Looney Tunes, but I’m still grateful to learn more about this noteworthy artist in film history.
So no nominations for ‘Queer,’ but what about the queers?
Bye Bye Love is a film all about the ways identity is constructed, defined, and imposed.
It is through women that Lynch reminds us: No matter how dark it gets, there is always the possibility for suffering to end.
Kelley O’Hara, executive producer of the new film Ripe!, wants to see more sapphic joy like her own on-screen.
They weren’t even adaptations of plays.
“I think the younger generations have a very healthy and new and refreshing relationship to identity. You no longer have to be scared of it.”
What a time to be alive, and of course by that I mean what a time to be alive for one of the most unhinged and earnest and delightful and bizarre and GAY big movie press tours of all time!
The Family Stone is many queer folks’ first introduction to warm, unconditional familial love.
Tammy and the T-Rex feels inescapably like a film about gender, dysphoria, and a relationship struggling to find a path forward amid massive, unforeseen changes.
The team was horny at the movies this year and what a blessing.
If one quality ties the Christmas horror subgenre together, it’s an oddball, camp sensibility that almost always feels at least a little bit queer.
The movie that puts catty in Catholic has become the sleeper queer hit of the year. But where would you fit into the conclave?
This movie has everything: a girl in a beanie who makes pizza pockets for a diner, a meddling friend who wears loud sweaters and makes scissoring gestures, a famous actress from a car commercial getting a key to the city, and so much more