There’s nothing inherently more lesbian about watching two famous cishet Rachels playact queerness than watching a nonbinary drag queen kiss the shoulder of a trans woman drag queen.

Pray Away is, at best, picking at a scab — and, at worst, poking a dirty finger into a gaping wound.

The only thing less believable is how well behaved all these cats are around coffee mugs and pastries.

So often, Family Karma cracks me up. This storyline cracks me open. Believe me when I say this show has the range.

It’s as entertaining as any heist movie, as addictive as the best true crime, and authentic in a way few pieces of mainstream trans media have been before.

I fell in love with “The Amazing Race” and now I would like to ask “The Amazing Race” to fall in love with queer women.

What happens when a piss-baby man-child inside a traditional family sitcom has a wife who lives in another show entirely?

There are plenty of people out there still rooting for Jackie Quiñones; it’d be nice if it felt like the ones crafting her story were among them.

“Does this place ever stop being weird?!?”

How do two queer people still figuring out their sexualities, their genders, their shames, their traumas, their pasts, their futures, their vastly different presents make a relationship work?

What finally swung it for me was at the end of a recent episode when, out of nowhere, Dolly Parton appeared.

The “Are You The One?” finale was a fitting end to the best season of reality TV in the history of civilization, and everybody came out to party about it.

I ship Zendaya’s Rue and Hunter Schafer’s Jules like some people shipped Brittana.

Ginny & Georgia has a very typical teenage dating story but made it queer, just for us.

I’m here to celebrate bisexual jock and Bayside legend Aisha Garcia, who has an enviable wardrobe, a killer sense of humor, and ya damn right — gets the girl.

Ratched stabs, cuts, bludgeons, and mutilates what was past. The show is brutal, but provides relief for its queer women. Unfortunately, its characters of color and disabled characters are not granted the same care.

Sexual and gender fluidity feel possible for every character. It’s a girl power narrative that feels loose in its definition of girl — and certainly loose in its assumption of who those girls will date.

This show forces straights to do what lesbians do all the time — talk about their deepest fears and feelings, endlessly.

Elena pushes back on all this, saying she doesn’t want to change how she dresses and that actually Maeve is bisexual, but they say that the term lesbian is “an easier sell” because it’s “more cut and dry.”

For All Mankind, Apple TV+’s alternate history/sci-fi series, has a sweet lesbian love story with Ellen and Pam, buried under a whole lotta moon rocks.