These images could be NSFW, but also they could be Rorschach tests. Either way, they’re definitely beautiful.
“These elements invoke a narrative that, while never quite finished, imply a disaster of the persona – heartbreak, grief – displayed through the aesthetics of a more worldly apocalypse.”
Beth Wexler makes some crazy videos. They’re crazy. They’re trippy and beautiful. You’ll love them.
She loves the fearsome, tentacled, and weird.
“Embracing failure. Obsessive thoughts. Banal repetition of actions. For me they can be both very meditative and calming or crazed and overwhelming. Intensely intimate.”
Michelle Muldrow’s paintings investigate “the experience of the repulsion and seduction of the American environment.” You can probably relate.
I know you’ll like Mars Hobrecker’s photography because I know you, and this is up your alley.
“My desire for you, for life, is like a beast.”
Expiring for love is beautiful but stupid.
“…but I also think that part of what our light box project did was to not assume that participation in mainstream culture means that you also have to take the structures of visibility that come with it as a given.”
I think that she and her second husband Alexander Hammid, deserve 1944’s Lesbian Couple of the Year Award for their collaboration on “The Private Life of a Cat,”
Dese’Rae Stage’s photography subjects include but aren’t limited to musicians that you like and inspiring people who have something to say.
Kara Walker fills rooms with larger than life cutouts depicting scenes of power, racism, misogyny and sexuality. She might just be your new hero.
“Even if you don’t understand, you refuse to understand, you have something to process”
It’s this moment where one has to look around and think, “Yoko Ono has given everyone this huge gift.”
“A runaway, Basquiat bummed around in epic fashion, living in boxes and on the dance floors of crowded clubs, before Giuliani sterilized New York City, when it was still just as raw and vibrant as the people in it.”
If you’d been a lesbian art-lover in 1920’s London, you might have known this woman, sometimes called Timothy, sometimes called Peter.
A self-taught Slovakian-born tattoo artist whose surreal designs and use of colour will blow your mind.
Simone creates elaborately detailed, surreal coastal landscapes that are populated by a utopian society of adolescent feral girls. You’ll really like this.
“We’re getting up and on the go with no finish line and I like it.”