Super Queer British Sitcom “Such Brave Girls” Is Discomfort Comedy at Its Finest
Queer chaos, self-destructive choices, and a downright wicked sense of humor give this show its bite.
Queer chaos, self-destructive choices, and a downright wicked sense of humor give this show its bite.
In the movie, Ramona writes Roxie off as a bicurious fling, but in the show she’s just another ex.
“Unapologetic” may ultimately be a testament to a mother’s love for her children, but it takes the audience on a journey of her career that’s worth relishing.
There are killers among us. They’re on our TVs. They’re running our governments. They’re in charge of the companies that control our lives. Will we change our narratives? Will we stop them?
I could spend the rest of my life watching Lena Headey play queer. But, at the end of the day, I’m not sure we can add this one to the “win” column.
Karina might be a little… evil? But she’s also really hot. So you can see why Aleesha might be torn.
It’s no longer about stunting for the camera. It’s about putting in the work to make sure this rap shit turns into something real.
A trans girl lesbian in an Edith Wharton adaptation is like something out of my wildest dreams. Too bad this show is such a mediocre nightmare.
As Black women, isn’t that what we want to be afforded? A chance to be messy and vulnerable instead of tidy and unbreakable?
Doesn’t “Jordana Brewster plays a lesbian drug lord who immediately turns the all women around her weak” sound like a perfect sentence, rolled off the tongue?
The one thing that kept me hooked was the rivalry between nonbinary contestant Tabitha Sloane — the one openly queer contestant on the show — and Lellies Santiago.
If you’re an emotional queer who believes in ghosts and wishes Queer Eye was spookier, then wow is this the show for you!
Doom Patrol has a beautiful spectrum of queerness displayed across a strange, wonderful land; amidst time travel and sex ghosts and horsehead oracles and zombie butts.
Everything Now finds an impressive balance: It doesn’t romanticize eating disorders, of course, but it also doesn’t sensationalize them.
So far season two is darker and moodier than season one, but it’s also somehow funnier, more queer, and more vulnerable.
The good news is, just about everyone is gay in The Fall of the House of Usher. The “bad” news is, well, this is a horror series. Hardly anyone escapes unscathed.
I am high. And I’m only getting higher. And I’m eating ice cream. And I’m about to press play on Saving the Gorillas: Ellen’s Next Adventure.
This season is off to a rocky start but at least there are queer women!!
By immediately introducing gender-shifting Jordan and probably-pansexual Emma, Gen V is already much queerer than The Boys.
Worse sex education and less adolescent autonomy has consequences — consequences no show can overcome. It’s admirable to watch this one try.