Shayna Maci Warner talks about their new book The Rainbow Age of Television and hot TV topics from representation to the Killing Eve finale.

Goosebumps is back with a spooky second season full of strange monsters, book references, and queer teens.

Patti Harrison is a gift to trans women representation in media. But you know what benefits even more because of her presence? American comedy in general.

Amy Spalding’s second book in the “Out in Hollywood” series centers on Max, a wee masc lesbian in Hollywood roped into a self-actualization scheme by her influencer roommate and most importantly to me, playing a lot of lesbian kickball.

To believe in love means to believe in its failures and missteps, too.

Beyond the Aggressives shows us how far we have come in terms of portraying trans masc people, but we still have such a long way to go.

On discovering a doppelgänger in an unlikely place.

Also, queer Arab culture and history, finding queer community while incarcerated, and more.

“I was excited to talk about rest for children, to talk about how even rest can be an adventure.”

The writers seem more interested in giving fans the pairing they wanted to see after season two rather than developing Aneesa as a nuanced character in her own right.

Home Video isn’t universal. It’s not even universally queer. It’s solely and specifically Lucy Dacus.

The new game Daggerheart is designed for explicit inclusion and metaphorical representation from the top to the bottom.

“I’m always down to contribute to more queer representation. Always down.”

To celebrate the release of Wicked here is an exhaustive look at the representation of queer women in movie musicals.

Southern Hospitality’s new cast member Lake casually comes out, broadening the show’s LGBTQ representation.

“He needed to be reminded by fellow outsiders of who he was,” Patel told Variety. “And together they waged this war for the good and the just.”

Underneath the raunchiness and gross-out jokes, the series has been a trailblazer in its efforts to challenge societal norms and welcome LGBTQ representation.

Elena pushes back on all this, saying she doesn’t want to change how she dresses and that actually Maeve is bisexual, but they say that the term lesbian is “an easier sell” because it’s “more cut and dry.”

“You see me struggling with this idea I was raised on that representation matters and everyone needs to tell their own story. But not everyone wants to tell their story.”

The public library is in the unique position to pick up where public education leaves off—to succeed where public education fails. It’s time we start rethinking what a library can be.