Goosebumps is back with a spooky second season full of strange monsters, book references, and queer teens.

The writers seem more interested in giving fans the pairing they wanted to see after season two rather than developing Aneesa as a nuanced character in her own right.

Underneath the raunchiness and gross-out jokes, the series has been a trailblazer in its efforts to challenge societal norms and welcome LGBTQ representation.

Elena pushes back on all this, saying she doesn’t want to change how she dresses and that actually Maeve is bisexual, but they say that the term lesbian is “an easier sell” because it’s “more cut and dry.”

While The Sex Lives of College Girls succeeds in ushering Rapp off the canvas, it’s less successful in navigating its third season without her.

“Played by Derry Girl Louisa Harland, Nell Jackson is a fierce, funny, sarcastic woman with no interest in behaving the way people of her time think women should behave.”

The first thing I want to tell you about this show is that the titular Colin from accounts is a dog. The second thing I want to tell you is that the dog’s owners both have queer best friends

XO, Kitty is a saccharine sweet show, sometimes cloyingly so. Problems arise from misinterpretations and misunderstandings but, for the most part, there’s no malice there

Of course, it’s not all Big Feelings and Hard Conversations. There’s also plenty of sweetness and cuteness that will have you smiling until your cheeks hurt.

Ten women are matched into couples, and the first time they meet, they must greet each other tongue-first!

We cannot fight stigmas around transness, queerness, and surviving abuse by reducing the complexities of life into rules and checklists.

Catherine Bohart has gained at least one new follower and fan.

To say that Star Wars’ march toward having any sort of visible queer representation has been fraught would be an understatement.

The show follows Molly (Michelle Williams), who sets out to have the horniest last five years of her life after she is diagnosed with terminal cancer, supported by a group of lesbians and Jenny Slate.

What’s the line between the raw knuckled ambition of greed and capitalism that are at the root of crime genres, and the slimy, glamorous girlboss-ification of a notorious killer?

One part love letter, one part history lesson, one part all-star roster of LGBTQ TV icons.

In the second episode, before we learn of her transness, Kate gets flustered in a meet cute with a lesbian mechanic. This allowance of a trans girl, first and foremost, to have lesbian storylines is unprecedented.

Will this be the first Marvel property to give us an on-screen sapphic kiss?

As in previous seasons, it’s hard not to feel that a show that’s theoretically about raising the profile of an often-misrepresented racial minority in America, instead completely misrepresents racism as it exists in America.

I love that Suranne Jones is being typecast as a woman who doesn’t suffer fools gladly.