Leah Murphy returns to Seattle Grace for some reason, Rose and Luisa are alive under the sea, HTGAWM tackles a misandrist case of the week, and The Real O’Neals isn’t as evolved as it thinks it is.

In which we discuss The 100, its badass bisexual protagonist Clarke, and the heartbreakingest gay commander this side of outer space.

Black Mirror found a loophole through the Bury Your Gays conundrum but skirted near one of the most frustrating disability tropes in the process.

2016 was the best of times and the worst of times. JK, it was the absolute worst of times. A lot of queer women died on TV. But a lot of them kissed and made googly eyes at each other too.

Buffy is a queer rite of passage. Everybody’s got a Buffy story. These are some of ours.

Alex comes out and goes after the girl.

“Faking It” seems to really be going for the cold when it comes to representing every letter in the LGBTQIA umbrella at least a little bit — here are 17 other shows who’ve presented a spectrum of identities.

She told America they couldn’t pray away the gay, and she was right, and we believed her.

Sappho protect us.

Rhea Butcher and Cameron Esposito’s new show is truly delightful.

There’s no such thing as too much Supergirl.

“Glee” gets no brownie points from me for introducing a new trans storyline when they already had a trans character — a trans woman of color — and treated her horribly. That’s not how you do positive trans representation.

In honor of our seventh birthday, a look back on the seven television shows with the biggest impact on the representation of LGBTQ women over the last seven years.

“With one more episode in this heart-wrenching season, we are all still gasping for air and dreaming of justice.”

But in the end, it’s Asami that Korra holds hands with, Asami that Korra decides to vacation with, Asami who’s there for her in the end, Asami with whom Korra shares lingering glances and momentary intimacies.

Hey, Sarah Manning is bi! And so is Waverly on Wynonna Earp (she finally kissed Haught right on the mouth!). Also, Scream is back and Rosewood ended stupidly.

I can believe in aliens, but I cannot believe that the lady with the mullet who lives in the woods with her young female assistant and trains dogs is straight.

In a TV year full of heartbreak and disappointment, it’s nice to know at least one gay lady is bullet-proof.

Autostraddle walks you through the entire history of trans female characters on American television from 1965-2015.

Attention, new folks in charge of Scream: Queer women are loyal viewers. Be good to us and we’ll be good to you.