On discovering a doppelgänger in an unlikely place.

Home Video isn’t universal. It’s not even universally queer. It’s solely and specifically Lucy Dacus.

When fans drive a queer woman off the internet because the extremely, extremely specific type of queerness they wanted wasn’t in a few episodes of a show that they like that doesn’t help anyone or anything.

Image titles like The Wicked + The Divine, Rat Queens, Trees, and Shutter are showing that trans characters just make great comics even greater.

On the 45th anniversary of Stonewall and the 50th anniversary of the Civil Rights Act, it is worth interrogating how we learn and know our histories — and the conditions that contribute to our learning environment.

Recently, GO Magazine published an interview with Romi Klinger of The Real L Word regarding the current state of her relationships, her career, and the controversy surrounding her sexuality. What does one complicated public figure representing bisexuality mean for the rest of us?

“I was excited to talk about rest for children, to talk about how even rest can be an adventure.”

This is our last Boobs Tube of 2018! Come on in and talk to us about All American, Crazy Ex-Girlfriend, Charmed, Critical Role, The Young and the Restless, Camping, Coronation Street, and Sally4Ever!

Ah, the 1980s, when clothes and hair and music were hella dope but women were given the same courtesy as plants in Hollywood. Then along came women’s wrestling to shake television and gender roles way the fuck up.

I talked with Bennett about what it’s like being the first woman and the first openly queer woman to write a Batwoman solo title, what she hopes to bring to it, and what she hopes queer readers will get from the series.

“It’s precisely because Her Story is written and directed by trans women, starring trans women and featuring trans women on the crew that it’s able to be so authentic and so acutely focused on its trans characters.”

The Batgirl creative team makes changes to fix their transphobic mistakes, Harley and Ivy are confirmed as a couple, and DC has more queer heroes than ever before!

In this latest issue, not only do the writers play with some very dangerous transmisogynistic tropes, but they toss Barbara Gordon’s character development out the window and turn her from being the close friend and ally to a trans woman to an outright transphobe.

LGBT characters may no longer be a big deal in mainstream films but good, nuanced portrayals that actually drive the plot most certainly are.

Shayna Maci Warner talks about their new book The Rainbow Age of Television and hot TV topics from representation to the Killing Eve finale.

Beyond the Aggressives shows us how far we have come in terms of portraying trans masc people, but we still have such a long way to go.

As long as queer kids are taking their own lives, as long as young lesbians are told that their crushes on other girls are just fleeting feelings that all straight girls have and as long as trans girls as young as age 6 are treated as sexual deviants who shouldn’t be allowed to use the bathroom, we’re going to need representation in all-ages media.

“Jo’s trans identity was just another integral part of her character, and it developed very naturally — she was a leader, she was VERY passionate about being a Lumberjane, she was also trans.”

“The BBC may have axed Lip Service, and have run out of Sarah Waters books to dramatize, but they do seem to be making a commitment to representing LGB people and admitting that they could do better.”

Tia’s a complete scene stealer. She’s defies so many boxes or tropes of what we’ve been programmed to expect from a black lesbian on TV.