For every award-winning trans movie made largely by people who don’t know anything about us, there’s a good movie made with an understanding of us or — GASP! — actually made by us.

Find out where Almodóvar’s latest The Room Next Door ranks among the queer film icon’s body of work!

There were miraculous updates on beloved characters like X-Men’s Morph and Bob’s Burger’s Marshmellow, CaitVi became canon and then kinky, and Nimona was Oscar nominated!

Lesbians and bisexuals sure got up to some things in 2024 — from Megan Thee Stallion’s strap to Kristen Stewart’s pantsless press tour to rugby’s lesbians to Tracy Chapman’s fingers, these were just some of the moments that defined sapphic pop culture in 2024.

The movie that puts catty in Catholic has become the sleeper queer hit of the year. But where would you fit into the conclave?

Ivan Reitman’s second team-up of Arnold Schwarzenegger and Danny DeVito after Twins (1988) has a bit of a cult status in my queer friend group.

In today’s pop culture fix — tons of queer performances at the BET Awards, Pride Barbies, a queer cast member of Real Housewives of New York City, Kehlani talks about being a lesbian and more!

Trans people’s stories are being told but trans people aren’t being rewarded.

Queen Latifah being flirtatious and chivalrous to her partner, live and in front of cameras? I am on my knees. We used to dream for days like this!!

Like many, my feelings about the Met Gala are complicated.

Audiences have long read queerness onto Eve due to her obsession with Margo and a brief moment when she’s seen walking upstairs with her “roommate.” She fits into the trope of the conniving lesbian — a vampire feasting on Margo’s life instead of her blood.

Let’s hop in my time machine and discuss what makes the women of SNL so hot — without once discussing their looks.

David Lynch’s 2001 masterpiece has a thematic core that has been largely ignored.

Lily Gladstone’s Oscar loss tells a story about where the industry is at in its judgments of art and its desire for inclusion. But it doesn’t have to be the only story told.

May December is a thesis statement of sorts for Haynes’ entire filmography.

Plus updates on the season finale of “Death and Other Details,” and the SERIES finale of “Hightown”!

Despite what many reviews — and even its own PR campaign — might say, American Fiction is not very interested in white people at all.

The first time I heard people posing the question of whether or not Sandra killed her husband, I thought it was a joke. To me, it was obvious the court drama was just set dressing for something more complicated.

To understand the magnitude of Paul Giamatti’s warm, yet thorny performance in The Holdovers, you must go further back into his filmography where the seeds of his on-screen persona were sown.

Also, updates on “Hazbin Hotel” and “Death and Other Details.”