Is there enough room to practice compassion at the same time that we notice we’re being manipulated and dehumanized? How much of our own humanity is taken away from us when we don’t allow ourselves the emotional space to practice love in any circumstance?
If witches are a way to tell stories about women and power, vampires are a way to tell stories about women and sex.
Why is that people of colour have to bear the brunt of speaking out about racism while white people enjoy the privilege of remaining silent? What happens when the tables are turned?
“Being Queer is not about who you’re with, it’s about who you are.”
“Girard’s writing is special in the way it speaks the language of our lived experience of moving through and within gender — inching, painfully slow, changeable, delightful, sexy, and made manifest in a thousand tiny ways, often between people and between words, unspoken.”
“I think I feel a little less desperation to be liked and a little more “fuck you if you don’t like me.” I think I enjoy flaunting my monstrousness.”
Welcome to your list of queer and/or feminist books coming out in fall 2016. New Zadie Smith, Ivan Coyote, Anne Carson, Margaret Atwood, Bae Suah and more.
Wilson-Yang deftly weaves and unweaves the threads of narrative tropes that have come to dominate the telling of the stories of trans women, lesbians, migrants, and Chinese North Americans.
Finish out your summer with some queer engineer approved picks.
The latest installment in the All Out Vancouver series brings back all our favorite characters — and some heavy themes.
Three twenty-something friends living in New York City accidentally acquire a mysterious liquid substance called Pretty, that, when imbibed, turns the drinker into a physically augmented version of themselves. Shenanigans ensue.
Lab Girl by Hope Jahren is one of the most exquisite pieces of science writing I’ve ever read. As a researcher and professor of geobiology for the past 20 years, Jahren has earned accolades for her work. Here, she shares her passion.
Imagine queercrip figures that resist limited notions of embodiment and medical pathology, and demand more expansive understandings of disability, gender and sexuality.
Warland, and Oscar of Between, is refreshingly unconcerned with being there already. Instead, she deep-dives into the potency of occupying transitional spaces, the beauty of being in-between.
Don’t label me — I’m
a non-het identified
poly pagan witch.
“I finally felt that I was being led by someone as deliciously ill-equipped at being in this world as I am. And by the time it was over I thought the book was masterfully human, cerebral but self-aware, wistful, curious, judgmental, forgiving, repentant and broken.”
Mary Meriam doesn’t flinch at female eroticism, at emotional turmoil, at social upheaval, at the truth of human cruelty. She also doesn’t flinch at rhyme, rhythm, formal constraint, or ancient forms of poetry and language.
We’re talking to Gabby Rivera about her debut novel “Juliet Takes a Breath”! We talk about subtleties in Latinx media representation, queer community, forgiveness and, of course, Lil’ Melvin.
The South’s conservative and religious majority has made it nearly impossible to suss out the queers in classic Southern literature and in the history books. That’s why this list exists.
In Sigal Samuel’s The Mystics of Mile End, three members of the Meyer family encounter Jewish mysticism, and are drawn apart in their very different quests for the divine.