May is for mothering, or so I’ve been told.

Some of these trans advisors, coaches, and planners operate outside the system, identifying as anti-capitalist and advocating for integrating social justice values into investing. Some exist inside bigger, more established firms working from the inside out.

This may be a sizzling hot take, but Chris Sanders’ The Wild Robot is a queer film.

Struggle does not inherently hold more import than comfort and freedom and rebellion and escape.

When May December was first announced, many assumed Portman and Moore would be the titular months in a lesbian romance. While that is not the case, queerness is still important to the film.

Trans women petting cats is a grand cinematic sight all movies should include!

London Friend’s Lesbian Line, which opened in 1989 and closed in 1999, was one of many gay and lesbian phone lines across the UK.

“The only way that we as queer and trans* activists can fight against homophobia and transphobia as it impacts the most vulnerable members of our community is through working in coalition with other social justice groups to fundamentally change and dismantle these unjust systems.”

I don’t want lesbian polar bears; I want two moms who look like the moms I see on the playground.

Eva Kollisch and Amber Hollibaugh recently passed away.

Top Chef’s latest chefsbian Rasika is winning hearts and taking names (plus, this week we were given the present of a sleeveless Kristen Kish!). Also: updates on 911 and the second season premiere of Beacon 23!

Fall TV, Dungeons & Kittens, and more!

To me, the concept of anyone being “first” in a family feels weird. We all have a hierarchy of needs, right?

This may be an unpopular opinion, but I’d prefer no lesbians in a movie to lesbians who only exist as stereotypes.

Halloween III stands as a prescient warning for what was coming as a result of the disastrous decisions of Ronald Reagan’s administration.

“Friends and Family Christmas is everything that those of us who want an easy, cheesy Christmas romcom could ask for. Low stakes, lots of twinkly lights, and two openly queer actresses playing the romantic leads.”

In the words of Brynn Whitfield: “There’s a new lesbian in town, and I’m interested.”

Michael’s arrest and his subsequent public coming out shook pop culture for months in ways that I can only now fully understand.

We told ourselves she was teaching me how to love myself, how to act on my desires. This is what love looks like, we said, and I became adept at anticipating her desires—which I fulfilled, eagerly. She was my audience; I was her secret star.

While I find the idea of documenting a young girl’s journey into her bisexuality as a refreshing, exciting exploration, the poor storytelling and narrative structure of the film left me with some concerns.