Barbie Is Right: Heterosexuality Is Goofy
Straightness in Barbieland is cringe.
Straightness in Barbieland is cringe.
In Alice Maio Mackay’s T Blockers, transphobia is spreading like a contagion. Literally.
With each passing scene, Barbie reveals its endgame a little more; beneath all the laughs at the expense of men and women is the sad truth that this brand of essentialism itself, of separating Barbies from Kens, of emphasizing their differences, is the thing that damages us the most.
Theirs is a tenderness — that all-consuming, heady obsession with just being near each other, even if the only way you can convey your love is through touching foreheads.
What I’ll remember most about these films is the quiet, human moments. The laughter. The grief.
Even though the characters are both ostensibly cis queer women, it’s still thrilling to have two nonbinary actors on-screen together — especially ones of this caliber.
Geordon West’s debut feature Playland is an energetic portrait of the Playland Café, a Boston gay bar that was open from 1937 to 1998.
Your loss, Disney!
I know, statistically, even if none of my living relatives are queer that there have been queer people in my family’s past — clandestine meetings, grand love stories, one night stands, gender deviance, angst, joy.
There’s a reason teachers have long been a battleground for queer progress — in fiction and in real life.
There’s something so scary about a time loop.
This is a film that deals with the natural vs. the unnatural, that confronts a history of female oppression. Trans women are included in the natural, trans women are included in that history.
The coming-of-age romcom moments had me yearning for a time when trans movies are allowed to exist without the burden of teaching.
The new Anna Nicole Smith documentary “You Don’t Know Me” features Anna’s ex-girlfriend as one of its primary sources, adding her story to an abundant but rarely discussed aspect of Anna’s life — her bisexuality.
Desire, passion, and love quickly override differences as Jaime and Marike quickly fall in love.
Anyone who has been paying attention in the last few years knows that book banning has only gotten worse since Judy Blume’s books started getting banned 40 years ago.
This is my Ocean’s 8 except that it’s actually a good movie. And the stakes aren’t a necklace at the Met Gala but the fate of our planet. Oh and it’s EXPLICITLY GAY.
It’s simple to mourn the alternate history where I came out as a teenager. It’s more complicated to mourn the alternate history where I came out later or not at all.
Laura Poitras’ remarkable documentary is about Nan Goldin and her work — it’s also about Goldin’s campaign to take down the Sackler family. The brilliance of the film is it shows these to be one in the same.
Watching Fonda and Tomlin perform is like watching an Olympic athlete or a world-renowned ballerina. They are masters of their craft and it’s awe-inspiring to witness.