This review is presented to you by two gay nerd friends who love gay nerd games and the gay nerd content that spawns from it.

To say that Star Wars’ march toward having any sort of visible queer representation has been fraught would be an understatement.

Sex Education keeps getting better because it approaches storytelling the way it teaches us to approach sex — with curiosity, excitement, and a willingness to learn.

By erasing Melody’s queerness, Archive 81 gains nothing and loses a lot.

Midge finally notices what we noticed long ago — Susie’s yet to get a romantic storyline — and thus our plucky heroine takes Susie on a field trip to the lesbian bar.

Season 2 of The Wilds had plenty of cute gay things going on with the girls, despite the unwanted addition of boys.

Caught up in the inconsistencies in its own mythologies, the Netflix fantasy-thriller-teen drama-musical struggles to come to a compelling or coherent close.

As much as Sam Jay made me laugh and relate, there were also major moments of cringe that I simply couldn’t ignore.

The Wilds is sometimes cheesy, sometimes saccharine, all times dramatic as hell.

Elena pushes back on all this, saying she doesn’t want to change how she dresses and that actually Maeve is bisexual, but they say that the term lesbian is “an easier sell” because it’s “more cut and dry.”

Centering a lesbian of color in an American crime drama does make Hightown feel different than some of its grisly drug drama companions (Ozark, Breaking Bad, Justified, to name a few).

Are they dating, are they in love, are they having sex, are they best friends? It’s one of We Are Who We Are ‘s queerest pleasures that it’s not about definition.

Natalie Morales swaggers into Season 2 of Dead to Me to queer things up for the better.

“There’s a once-in-century virus eating away at the fabric of everything we know about how to live, just let the gays kiss for once! Let women of color win the fucking Oscar!” Drew, Riese and Carmen binged Ryan Murphy’s newest Netflix release, and they can’t wait to talk about it.

I can’t believe these heroes and villains have brought all their lesbian drama to bear on the resolution of the biggest arc of the season; I’ve been waiting to see this on TV my entire life! 

In New York, every time you step out your door, human interaction is offered to you. The most magical thing about New York, about “High Maintenance,” about life has suddenly become a danger.

Mrs. Fletcher is entirely directed by women and it’s all about sex. More specifically it’s about who’s historically been entitled to sex, how it feels to historically be denied sexual expression, and the difficulties of navigating sexual discovery. Especially if you’re as horny as every single character on this show.

According to TV, good people don’t give up on each other. BoJack Horseman, Work in Progress, and She-Ra and the Princesses of Power are challenging that narrative.

I just don’t think we’re in a place yet, culturally, where there’s enough positive representation out there to start killing off evil lesbians.

With a total of five lesbian, bisexual, queer and trans Black women characters in the main cast, Lena Waithe’s “The Chi” certainly made history this summer. But did making “The Chi” gayer turn it into a better show?